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    <title>TWEAK Digital</title>
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    <id>tag:www.tweakdigital.com,2008-08-13://25</id>
    <updated>2010-03-05T14:30:38Z</updated>
    <subtitle>solutions for growing digital workflows</subtitle>
    <generator uri="http://www.sixapart.com/movabletype/">Movable Type Pro 4.25</generator>

<entry>
    <title>TRIUMPH67 Production</title>
    <link rel="alternate" type="text/html" href="http://www.tweakdigital.com/2010/03/triumph67-production.html" />
    <id>tag:www.tweakdigital.com,2010://25.2698</id>

    <published>2010-03-05T14:30:35Z</published>
    <updated>2010-03-05T14:30:38Z</updated>

    <summary>A sneak peak at some raw footage from TRIUMPH67</summary>
    <author>
        <name>jeremy</name>
        <uri>http://www.moonpost.com/jeremy/</uri>
    </author>
    
        <category term="Commentary" scheme="http://www.sixapart.com/ns/types#category" />
    
    
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        <![CDATA[The past few months have been focused on finishing editing the feature film project on which I shot and co-produced late last summer. <a href="http://www.triumph67film.com/">TRIUMPH67</a> is shaping up to be a very good film, accomplished with a small budget and a huge amount of passion on all fronts. I've been so eager to get it done and release it to the world, to show you all what we created, but it has to be finished and polished to a certain level before outside eyes see it. Still, I can give you sneak peek at how some of it looks with this <a href="http://vimeo.com/9555608">1-minute raw scene of Mohannad arriving at his brother Sami's house</a>. I'll probably post more here soon as we get ever closer to a finished film, but to really get all the latest news and updates, go to the main <a href="http://www.triumph67film.com/">TRIUMPH67 film site</a> and join the T67 email list and <a href="http://www.facebook.com/triumph67">facebook fan page</a>!]]>
        
    </content>
</entry>

<entry>
    <title>NeatVideo Noise Reduction</title>
    <link rel="alternate" type="text/html" href="http://www.tweakdigital.com/2010/02/neatvideo-noise-reduction.html" />
    <id>tag:www.tweakdigital.com,2010://25.2697</id>

    <published>2010-02-18T21:06:56Z</published>
    <updated>2010-02-18T21:30:08Z</updated>

    <summary>The NeatVideo noise reduction plugin for video editing truly works wonders on your grainy shots.</summary>
    <author>
        <name>jeremy</name>
        <uri>http://www.moonpost.com/jeremy/</uri>
    </author>
    
        <category term="News" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Tutorials" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.tweakdigital.com/">
        <![CDATA[<p>As a filmmaker, either documentary and narrative, there are certain times when you are forced for some reason to shoot with available light and in those situations there are most certainly times when that light is too low for your desired shots. This typically leads to grainy, noisy video. So, what is a shooter to do when they just have to have the shot or the editor isn't provided a better shot to work with? Use <a href="http://www.neatvideo.com/">NeatVideo</a> and clean it up! This $100 plugin is worth its weight in gold (or hard drive storage or RED gear or something more valuable than $100) and really can produce stunning results on footage you may consider unusable. It takes render time, of course, to clean up all that noise and grain you wish to eliminate, but the results are well worth it. And, unlike some other solutions I've seen in reducing noise, NeatVideo does an <strong>amazing</strong> job at retaining details and can even sharpen up your video very nicely. Take a look at this sample video I made of two noisy night-time shots (<a href="http://vimeo.com/download/video:16087373?v=2&e=1266530003&h=ebb5dabde0faa9a4474d10fb9762037d&uh=e5922eca741e92cc26d0317403ae8465">download the original clip</a> from Vimeo to really see the details) and I think you'll be convinced.<br />
<object width="480" height="270"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=9558852&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=ff9933&amp;fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=9558852&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=1&amp;show_portrait=0&amp;color=ff9933&amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="480" height="270"></embed></object><p><a href="http://vimeo.com/9558852">Demo of NeatVideo plugin</a> from <a href="http://vimeo.com/moonpost">Jeremy Wilker</a> on <a href="http://vimeo.com">Vimeo</a>.</p><br />
<p>Note: this is also posted over at <a href="http://mnfilmtv.org/mndialog/?p=2177">MN Dialog</a></p></p>]]>
        
    </content>
</entry>

<entry>
    <title>Canon&apos;s new T2i</title>
    <link rel="alternate" type="text/html" href="http://www.tweakdigital.com/2010/02/canons-new-t2i.html" />
    <id>tag:www.tweakdigital.com,2010://25.2696</id>

    <published>2010-02-11T02:58:03Z</published>
    <updated>2010-02-11T03:00:55Z</updated>

    <summary>Canon&apos;s new &quot;low-end&quot; digital SLR has a lot of high-end video features for just $799.</summary>
    <author>
        <name>jeremy</name>
        <uri>http://www.moonpost.com/jeremy/</uri>
    </author>
    
        <category term="Deals" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="News" scheme="http://www.sixapart.com/ns/types#category" />
    
    
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        <![CDATA[Canon just announced their new 18-megapixel T2i (also known as the 550D) digital SLR with 1920x1080 24p HD video recording for only $799 (body only, $899 with kit lens). Filmmakers and video geeks are pretty excited. With all the desired video modes (24p, 25p, 30p @ 1080 and 50, 60 @ 720), manual control, 18-megapixels, full range of Canon EF lenses, and ISO range from 100-6400 (ie: great in low light), what's not to like? This is the little brother to the Canon 7D, but don't overlook it because it is cheaper. This camera just brought HD filmmaking and video production (as long as you know the limitations and workflows) to the masses in style. Check out my Amazon store for <a href="http://astore.amazon.com/videoslr-starterkit-20">a recommended HDSLR starter package</a>!]]>
        
    </content>
</entry>

<entry>
    <title>The 6 hidden costs of running a DAM system</title>
    <link rel="alternate" type="text/html" href="http://www.tweakdigital.com/2010/01/6-hidden-costs-of-running-dam.html" />
    <id>tag:www.tweakdigital.com,2010://25.2695</id>

    <published>2010-01-26T17:22:19Z</published>
    <updated>2010-01-28T19:34:49Z</updated>

    <summary>Digital assets are quickly filling up our available storage space and we likely don&apos;t have any idea where a particular file might be, much less have any useful information attached it. So we naturally turn to digital asset management (DAM) software and hope it will streamline and organize our work. Here are 6 hidden costs to factor in to your solution.</summary>
    <author>
        <name>jeremy</name>
        <uri>http://www.moonpost.com/jeremy/</uri>
    </author>
    
        <category term="Commentary" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.tweakdigital.com/">
        <![CDATA[<p>Paul Boag wrote an article a while back entitled "<a href="http://carsonified.com/blog/features/biz/the-5-hidden-costs-of-running-a-cms/">The 5 hidden costs of running a CMS</a>" over on Vitamin/Carsonified and I really thought it was a useful item to ponder over as a CMS user. Then I thought, "This totally applies to digital asset management software as well, somebody should write up the same thing for DAM." So here goes (with all due respect to Mr. Boag):</p>

<h2>The 6 Hidden Costs of Running a DAM System</h2>

<p>The ever burgeoning amount of digital items generated by a person or company is quickly outgrowing our ability to handle and track them. These assets (digital images, designs, layouts, training clips, music tracks, digital videos, presentations, documents...) are quickly filling up our CDs, DVDs, Blu-Rays, external drives and server space and we likely don't have any idea where a particular file might be, much less have any useful information attached to it. We may well be recreating assets that we have lost or don't know exist in some other division of the company. So we naturally turn to digital asset management (DAM) software and hope it will streamline and organize our work.</p>

<p>Besides the initial price tag, there is <em>a lot more</em> to consider when making a DAM investment and achieving a successful implementation:
<ul class="numli" style="list-style-type:decimal">
<li>The cost of training</li>
<li>The cost of ingestion</li>
<li>The cost to quality</li>
<li>The cost to functionality</li>
<li>The cost of redundancy and flexibility</li>
<li>The cost of commitment</li>
</ul>
Let's take a closer look at each of the six cost areas...
</p>
]]>
        <![CDATA[<h3>The cost of training</h3>
<p>Training consumes a lot of time. So many users, so many roles, so many different groups to train. Super users, core users, editors, viewers, not to mention the Help Desk staff... Brand managers, salespeople, graphic artists, marketing, legal... At times it seems it will never end. And it won't. People will leave, new people will arrive, partners will come on board, and depart, and <em>somebody</em> will have to keep track of it all and make sure the users know what they are doing and where to properly do it.</p>
<p>Is the user manual well-written for every user type or do you require a custom "quick start" guide that covers all the basics for each group or role? What about creating a screencast for each role as well? How many languages do your materials need to support? These training questions (and many others) may change from client to client, from project to project, so make sure you have the capacity to keep up with the needs of your users.</p>

<h3>The cost of ingestion</h3>
<p>Who is going to upload your assets? Who is going to attach metadata to all the assets? This is always a surprise once the system is chosen and finally installed. No matter how much it is discussed in the planning phase, the reality doesn't hit until the DAM is launched and the core users start uploading the assets. "Hey, this takes a lot of time! I thought this was going to save me time!"</p>
<p>Many systems allow you to attach a drive and ingest gigabytes or terabytes in short order. While this seems like a time- and money-saver, keep in mind that these should all be clean, approved assets (not just a dump-and-index-it-later process (see 'quality' below) as that tends to never happen) and your DAM system needs time to actually index the assets, the metadata, and generate thumbnails and previews (I've seen 100,000+ assets take almost a full WEEK to process).</p>
<p>Even more surprising is that if your DAM tool supports multiple languages it probably requires a person to sit down and translate the metadata labels (likely just a few times) and contents (all the time, for every asset). People seem to expect there to be a magic "translate" button in the software that will just know how to decipher all their special lingo and naming conventions, but guess what? It'll probably take real human time and knowledge.</p>

<h3>The cost to quality</h3>
<p>The complexity of the DAM is largely related to the price of the package as the low-end solutions typically do not have such things as an approval process or workflows. Perhaps they cannot allow you to be as granular as you need when doling out privileges and permissions (they are grouped together, for example). This poses the question of who adds assets and who approves them for general consumption and where are they stored in the system.</p>
<p>Allowing anyone with a user account to add content to the DAM might quickly lead it to becoming a dumping ground for assets of questionable use and quality (the graphic designer's show-dog photos that he just had to store somewhere? MS Word docs that marketing is saving "just in case." 23 versions of a package?).</p>
<p>Because digital asset management software becomes really useful when metadata is attached to an asset, the entry form for any new item might have five to twenty fields that <em>should</em> be filled out as fully as possible. Since users are busy (and simultaneously quite possibly lazy) it may frequently occur that the metadata content is minimally populated or any details present are just lumped together in the description field.</p>
<p>This results is a garbage-in, garbage-out situation and makes the DAM less useful than desired for <strong>all</strong> users of the system. And who exactly will fix that mess?</p>

<h3>The cost to functionality</h3>
<p>Everyone always seems to think of a DAM system in a different light than, say, Microsoft Word or Adobe Photoshop. For some reason, desktop applications are just accepted as-is. DAM software is expected to do everything imaginable and be easily customizable.</p> 
<p>The fact of the matter is that while the code may be tweakable and an SDK might even come with it, the time/cost factor is usually prohibitive (every change seems to take a month and be $10,000). Keep in mind that if you do go down this road, you then have a custom DAM installation that must be maintained and updated every time there is an upgrade from the vendor.</p>
<p>Invariably, someone in the company wishes to tie the DAM database to some other system for exporting final files or data for PLM or even hooking into a partner's system. Since these are database tools, this can usually be done.</p>
<p>But does your internal IT department have the bandwidth to handle these modifications or are they contracted out to the DAM vendor or some other third party?</p>

<h3>The cost of redundancy and flexibility</h3>
<p>Every DAM system does a few things the same way &mdash; you have to be able to view thumbnails and download assets of course &mdash; but once past that point the feature sets can vary widely. Since there are reported to be over 85 different DAM software vendors and nobody owns more than 5% of the market, the companies typically try to do as many things as possible.</p>

<p>Your system may allow very granular control over user groups and privileges and permissions and users and folders and domains. Perhaps the DAM tool allows graphic artists to search and use assets from directly inside their creative applications. Maybe video files can be played, scrubbed through, searched and cropped to specific segments. You get the idea. The complexity seems quite valuable but the time involved to apply the feature set in question might seem to require a degree in the graphic arts or library sciences. And if the features are overwhelming to the average user, will they ignore them and/or fumble ahead and make mistakes?</p>
<p>And make sure your DAM system can take a hit and keep on running. It happens. You need a backup system that is fully mirrored on a regular (short) basis.</p>

<h3>The cost of commitment</h3>
<p>Finally, the high cost of DAM commitment covers several segments:
<ul>
<li>The time for research and testing</li>
<li>The investment in implementation</li>
<li>The ongoing cost and time of user training</li>
<li>The expense of add-ons or plugins</li>
<li>The investment in asset ingestion</li>
</ul>

<p>Building up a useful digital asset management platform, whether locally or globally, certainly takes a lot of time and money. Choosing the right DAM software is critically important. You could wish to change your approach in the future and how would you go about exporting the file structure, assets and the metadata? It can be done, but will likely require the expense of custom scripting and/or programming.</p>
<p>A well-implemented digital asset management system is invaluable in organizing files, attaching useful metadata, allowing global insight into the company's various regions and brands, repurposing of assets, and cutting production time from a busy schedule with digital workflows. Any one DAM solution may not do all things as you wish, but most <strong>any</strong> DAM is certainly better than no DAM at all. Keep your eyes and mind open and become aware of all the costs in time and money and you <em>will</em> build a successful DAM implementation today, one that will be flexible and capable of your growing DAM needs tomorrow.</p>]]>
    </content>
</entry>

<entry>
    <title>OWLE bubo Camera Rig</title>
    <link rel="alternate" type="text/html" href="http://www.tweakdigital.com/2010/01/owle-bubo-camera-rig.html" />
    <id>tag:www.tweakdigital.com,2009://25.2692</id>

    <published>2010-01-13T17:47:13Z</published>
    <updated>2010-01-14T06:05:34Z</updated>

    <summary>Jeremy Wilker takes a closer look at the OWLE bubo, an iPhone stabilizer and lens adapter which allows you to get more stable shots and a wider angle of view than with a stock iPhone 3Gs. Since it also includes a stereo mic, the audio is much improved as well. Read the review and see the unboxing!</summary>
    <author>
        <name>jeremy</name>
        <uri>http://www.moonpost.com/jeremy/</uri>
    </author>
    
        <category term="News" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.tweakdigital.com/">
        <![CDATA[<p><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><a href="http://www.tweakdigital.com/assets_c/2009/12/P1030231-77.html" onclick="window.open('http://www.tweakdigital.com/assets_c/2009/12/P1030231-77.html','popup','width=360,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://www.tweakdigital.com/assets_c/2009/12/P1030231-thumb-200x266-77.jpg" width="200" height="266" alt="OWLE bubo box" class="mt-image-right" style="float: right; margin: 0 0 20px 20px;" /></a></span>The holidays came a little bit early for me this year due to a shipping address mistake (it should've been a surprise from <a href="http://www.geekgirlsguide.com/about_us/meghan_wilker/">my geek-girl wife</a>) and when I saw the box label's return address I was indeed very surprised! Thankfully she really knows me and allowed me to open my gift early so I could play with it.<br />
What is it? The <a href="http://wantowle.com/">OWLE bubo</a>, an iPhone camera rig. The OWLE bubo is a stabilizer and lens adapter, allowing you to get more stable shots and a wider angle of view than with a stock iPhone 3Gs. Since it also includes a stereo mic, the audio is much improved as well. Let's take a look!<br />
<object width="480" height="360"><param name="allowfullscreen" value="true" /><param name="allowscriptaccess" value="always" /><param name="movie" value="http://vimeo.com/moogaloop.swf?clip_id=8732781&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=0&amp;show_portrait=0&amp;color=ff9933&amp;fullscreen=1" /><embed src="http://vimeo.com/moogaloop.swf?clip_id=8732781&amp;server=vimeo.com&amp;show_title=1&amp;show_byline=0&amp;show_portrait=0&amp;color=ff9933&amp;fullscreen=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="480" height="360"></embed></object><p><a href="http://vimeo.com/8732781">OWLE bubo demo</a> from <a href="http://vimeo.com/moonpost">Jeremy Wilker</a> on <a href="http://vimeo.com">Vimeo</a>.</p></p>]]>
        <![CDATA[<p><strong>The Stabilizer</strong><br />
<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><a href="http://www.tweakdigital.com/assets_c/2009/12/P1030239-80.html" onclick="window.open('http://www.tweakdigital.com/assets_c/2009/12/P1030239-80.html','popup','width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://www.tweakdigital.com/assets_c/2009/12/P1030239-thumb-200x150-80.jpg" width="200" height="150" alt="OWLE bubo" class="mt-image-right" style="float: right; margin: 0 0 20px 20px;" /></a></span>Made of solid aluminum, this thing really has some heft to it. In fact, in a dark alleyway, this would make a very potent self-defense weapon! There are some sharp edges on the cold shoe mount, but you can avoid them easily enough.<br />
With the supplied rubber case <span class="mt-enclosure mt-enclosure-image" style="display: inline;"><a href="http://www.tweakdigital.com/2009/12/16/P1030249.JPG">the iPhone fits very snugly into the OWLE bubo</a></span>, with virtually no chance of it slipping out by accident. In fact, there is a port through the device just for pushing the iPhone out of the bubo from the front with your thumb. The <span class="mt-enclosure mt-enclosure-image" style="display: inline;"><a href="http://www.tweakdigital.com/2009/12/16/P1030247.JPG">iPhone "slot" has notches</a></span> for accessing the headphone jack (for the microphone) and for accessing the iPhone connector port. <strong>Sadly, the bubo <em>has no access</em> to the iPhone's power switch.</strong> A big oversight in my opinion.<br />
The bubo fits comfortably in your hands, although the left hand grip is a bit awkward due to the microphone's position. You'll get used to it, however. It really does allow for more stable shooting of photos and video.<br />
Each corner of <span class="mt-enclosure mt-enclosure-image" style="display: inline;"><a href="http://www.tweakdigital.com/2009/12/16/P1030254.JPG">the bubo has a 1/4" threaded receptacle</a></span> for a tripod/support mount, an accessory (mics? lights? neck strap?), or whatever you come up with. This is quite smart in my opinion.<br />
The lens mount is a 37mm threaded size and I was able to successfully mount some old Sony camcorder lenses on the OWLE bubo.</p>

<p><strong>The Lens</strong><br />
<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><a href="http://www.tweakdigital.com/assets_c/2009/12/P1030241-83.html" onclick="window.open('http://www.tweakdigital.com/assets_c/2009/12/P1030241-83.html','popup','width=640,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://www.tweakdigital.com/assets_c/2009/12/P1030241-thumb-200x150-83.jpg" width="200" height="150" alt="OWLE bubo lens" class="mt-image-right" style="float: right; margin: 0 0 20px 20px;" /></a></span>The OWLE bubo features a 37mm threaded lens mount and comes stock with a combo macro/wide angle lens of .45x size. To use the macro lens, simply unscrew the wide angle lens and store it in the supplied lens bag. Both lenses work great.<br />
The Sony camcorder lenses I tried on the bubo fit well and worked fine, although the old 2.5x teleconverter I have assumes you can zoom through the barrel and, of course, with an iPhone you cannot do that. It does make for some interesting spy/telescope look to the video if you have such a need.</p>

<p><strong>The Microphone</strong><br />
<span class="mt-enclosure mt-enclosure-image" style="display: inline;"><a href="http://www.tweakdigital.com/assets_c/2009/12/P1030255-86.html" onclick="window.open('http://www.tweakdigital.com/assets_c/2009/12/P1030255-86.html','popup','width=360,height=480,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://www.tweakdigital.com/assets_c/2009/12/P1030255-thumb-200x266-86.jpg" width="200" height="266" alt="OWLE bubo microphone" class="mt-image-right" style="float: right; margin: 0 0 20px 20px;" /></a></span>The hinged stereo mic,<a href="http://vericorder.com/products/minimic"> the VeriCorder</a>, works a treat with the iPhone. Having the internal microphone on the end of the iPhone means you get mediocre (at best) audio when recording video at any distance without an external mic. Since you can point the bubo's mic in any direction the quality of captured audio is better than the stock microphones. It does not, however, eliminate the need to be aware of your audio levels -- audio over a certain decibel level will still break up and fail to record properly. Also, audio within arm's reach may tend to peak and clip with the stereo microphone so test it out and consider the distance to your subject.</p>

<p><strong>Summary</strong><br />
<a href="http://wantowle.com/">The OWLE bubo</a> is a very well built iPhone stabilizer and lens adapter that will improve your shooting of photo and video with your choice of 37mm lenses and a good stereo microphone. Lots of flexibility thanks to cold shoe mount and four 1/4" mounts. Lack of access to the power button is a strike against the current model, however.<br />
I'm eager to use the OWLE bubo with a future version of <a href="http://www.cinemek.com/storyboard/index.php">the <strike>Hitchcock</strike> Storyboard Composer storyboarding iPhone app</a>. I imagine the combination will make a fabulous pre-visualization pre-production tool for indie filmmakers and other creative types.</p>

<p>For those of you who like the whole unboxing process, check out <a href="http://www.flickr.com/photos/moonpost/sets/72157622888670819/">my OWLE bubo unboxing photo set</a> on flickr.<br />
Now I'm eager to get my hands on the <a href="http://www.tiffen.com/steadicam_smoothee.html">Steadicam Smoothee</a>!</p>]]>
    </content>
</entry>

<entry>
    <title>HD Home Theater on the Cheap</title>
    <link rel="alternate" type="text/html" href="http://www.tweakdigital.com/2009/12/hd-home-theater-on-the-cheap.html" />
    <id>tag:www.tweakdigital.com,2009://25.2693</id>

    <published>2009-12-17T19:51:08Z</published>
    <updated>2009-12-17T19:59:20Z</updated>

    <summary>While I have no notions of this video going &quot;viral,&quot; it sure is crazy to see how many people and sites around the world have linked up to my IgniteMPLS presentation on how to build an HD home theater without...</summary>
    <author>
        <name>jeremy</name>
        <uri>http://www.moonpost.com/jeremy/</uri>
    </author>
    
        <category term="News" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.tweakdigital.com/">
        <![CDATA[<p>While I have no notions of this video going "viral," it sure is crazy to see how many people and sites around the world have linked up to <a href="http://www.tweakdigital.com/2009/05/my-ignitempls-p.html">my IgniteMPLS presentation</a> on how to build an HD home theater without spending a lot of money. Take a peek yourself at the google results for "<a href="http://www.google.com/search?hl=en&safe=off&client=safari&rls=en&q=jeremy+wilker+%22HD+Home+Theater+on+the+Cheap%22&start=20&sa=N">Jeremy Wilker HD Home Theater on the Cheap</a>"</p>]]>
        
    </content>
</entry>

<entry>
    <title>TWEAK Demo Reel</title>
    <link rel="alternate" type="text/html" href="http://www.tweakdigital.com/2009/12/tweak-demo-reel.html" />
    <id>tag:www.tweakdigital.com,2009://25.2691</id>

    <published>2009-12-09T21:01:00Z</published>
    <updated>2009-12-09T21:02:40Z</updated>

    <summary>My new video demo reel is done and has been posted on the HD Video page and over at Vimeo as well. Hope you like it!...</summary>
    <author>
        <name>jeremy</name>
        <uri>http://www.moonpost.com/jeremy/</uri>
    </author>
    
        <category term="News" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.tweakdigital.com/">
        <![CDATA[<p>My new video demo reel is done and has been posted on the <a href="http://www.tweakdigital.com/video/">HD Video page</a> and over at <a href="http://www.vimeo.com/8054044">Vimeo</a> as well. Hope you like it!</p>]]>
        
    </content>
</entry>

<entry>
    <title>Best iPhone Photo Apps</title>
    <link rel="alternate" type="text/html" href="http://www.tweakdigital.com/2009/10/best-iphone-photo-apps.html" />
    <id>tag:www.tweakdigital.com,2009://25.2689</id>

    <published>2009-10-22T03:38:06Z</published>
    <updated>2009-10-22T03:58:36Z</updated>

    <summary>Which iPhone camera app is the tops? I test them out and make my recommendation.</summary>
    <author>
        <name>jeremy</name>
        <uri>http://www.moonpost.com/jeremy/</uri>
    </author>
    
        <category term="News" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.tweakdigital.com/">
        <![CDATA[<p>I finally threw caution to the wind and bought a bunch of iPhone photo apps the other day and thought others might find a review useful. The thing about the iPhone camera is that it <em>is</em> a low-end camera and, sometimes, not trying too hard actually makes it a hell of a lot better, you know? </p>

<p>Take, for example, the couple of iPhone apps that make your shots look like a vintage Polaroid photo. They look <em>great</em>, because they aren't trying to make your photos look like <em>more</em> than they are. The lo-fi image quality actually enhances the subject matter. And they're fun to make and view, too. Or maybe you really love the look of a Holga or Lomo? Easily done. [<strong><a href="http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewSoftware?id=302926603&mt=8">ShakeItPhoto</a></strong> | <strong><a href="http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewSoftware?id=301027161&mt=8">Polarize</a></strong> | <strong><a href="http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewSoftware?id=291176178&mt=8">CameraBag</a></strong>]</p>

<p>But what if you really do want to take better iPhone photos? Which app is the best one and offers the best overall performance? I'm not sure there is a "best one" just yet, but several apps are trying for the title. Photographer Chase Jarvis has an app (and photo-sharing site and companion book, too) called "<strong><a href="http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewSoftware?id=329800600&mt=8">Best Camera</a></strong>" that aims to be the king in this market. At $2.99 you'd hope it might be the one, and it does perform quite well what with extremely good sharing options, non-destructive filters/effects and ease of use. But I don't find myself using it <em>all the time</em>.</p>

<p>But can the best wanna-be camera take a "<strong><a href="http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewSoftware?id=322556359&mt=8">PerfectPhoto</a></strong>?" This app seems almost like a mini Photoshop on your phone and gives you quite a bit of creative control over your imaging with fairly extensive menu options (gamma, highlights, shadows, sharpen, color temp, looks, etc). Worth having in your arsenal of tools.</p>

<p>But what about Adobe? "<strong><a href="http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewSoftware?id=331975235&mt=8">Photoshop Mobile</a></strong>" just launched and is very fast and responsive on the iPhone and produces good quality results. I just feel it is very much a version 1.0 type of app and am waiting to see what future options might include for image editing. They've got the name recognition and great performance so far. More extensive tools would be make this a must-have for anybody, especially at the low price of free.</p>

<p>Finally (and yes, I know there are many others apps out there), my current mind-blowing favorite (and free!) app is called "<strong><a href="http://itunes.apple.com/WebObjects/MZStore.woa/wa/viewSoftware?id=318704758&mt=8">Mill Colour</a></strong>" and was created by some professional colourists. The color controls and results in this little app are truly astounding and I recommend this as a "must-have" app if you care about color.</p>

<p>So what is my go-to tool? How do I use my iPhone camera? I find myself shooting shots, going to Mill Colour first to tweak overall color quality, then either Photoshop or PerfectPhoto for further adjustments and edits, and then either BestCamera or CameraBag for final effects or looks. It sounds like a lot, but since all these apps can load/save images from your library, you can do the edits as you find the time. Yes, it would be great to do it all within a single program, but that program hasn't been written yet.</p>

<p>At this point, I guess I'd recommend the BestCamera app to the casual iPhone photographer since it has a pretty nice feature set and includes super useful sharing features.</p>]]>
        
    </content>
</entry>

<entry>
    <title>Interactive, The Musical</title>
    <link rel="alternate" type="text/html" href="http://www.tweakdigital.com/2009/10/interactive-the-musical.html" />
    <id>tag:www.tweakdigital.com,2009://25.2687</id>

    <published>2009-10-05T15:20:05Z</published>
    <updated>2009-12-07T20:39:51Z</updated>

    <summary>Last week I was hired to put together a fun gleeful musical video for local web development shop Clockwork to debut during the MIMA Summit. It was a short timeframe, done all in one day (including choreography rehearsals) and editing...</summary>
    <author>
        <name>jeremy</name>
        <uri>http://www.moonpost.com/jeremy/</uri>
    </author>
    
        <category term="News" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.tweakdigital.com/">
        <![CDATA[Last week I was hired to put together a fun <a href="http://en.wikipedia.org/wiki/Glee_(TV_series)">gleeful musical</a> video for local web development shop <a href="http://www.clockwork.net/">Clockwork</a> to debut during the <a href="http://www.mimasummit.org/">MIMA Summit</a>. It was a short timeframe, done all in one day (including choreography rehearsals) and editing done the following day. I love these small projects where you can just have a ton of fun, come up with ideas on the spot, and enjoy the process. All singing, dancing, musical recordings, etc, was all done by real live web developers! They don't just sling code, people. You can view the results on <a href="http://www.youtube.com/watch?v=W0I6D2G5vk4">YouTube - Interactive, The Musical</a> and also over on  <a href="http://www.vimeo.com/6892929">Vimeo - Interactive, The Musical</a>. Shot on Sony EX3 with Letus Elite and Canon FD prime lenses.]]>
        
    </content>
</entry>

<entry>
    <title>Final Cut Studio Manuals</title>
    <link rel="alternate" type="text/html" href="http://www.tweakdigital.com/2009/09/final-cut-studio-manuals.html" />
    <id>tag:www.tweakdigital.com,2009://25.2685</id>

    <published>2009-09-14T03:12:38Z</published>
    <updated>2009-09-14T03:12:41Z</updated>

    <summary>Apple finally published their updated manuals in PDF form for the apps in the Final Cut Studio suite (Final Cut Pro, Color, Motion, etc) and here are the links in one collection for you to download: Final Cut Pro 7...</summary>
    <author>
        <name>jeremy</name>
        <uri>http://www.moonpost.com/jeremy/</uri>
    </author>
    
        <category term="Tutorials" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.tweakdigital.com/">
        <![CDATA[<p>Apple finally published their updated manuals in PDF form for the apps in the Final Cut Studio suite (Final Cut Pro, Color, Motion, etc) and here are the links in one collection for you to download:</p>

<p><a href="http://documentation.apple.com/en/finalcutpro/usermanual/Final%20Cut%20Pro%207%20User%20Manual%20(en).pdf">Final Cut Pro 7 Manual</a><br /><br />
<a href="http://documentation.apple.com/en/motion/usermanual/Motion%204%20User%20Manual%20(en).pdf">Motion 4 Manual</a><br /><br />
<a href="http://documentation.apple.com/en/color/usermanual/Color%20User%20Manual%20(en).pdf">Color 1.5 Manual</a><br /><br />
<a href="http://documentation.apple.com/en/dvdstudiopro/usermanual/DVD%20Studio%20Pro%204%20User%20Manual%20(en).pdf">DVD Studio Pro 4 Manual</a><br /><br />
<a href="http://documentation.apple.com/en/compressor/usermanual/Compressor%203%20User%20Manual%20(en).pdf">Compressor 3.5 Manual</a><br /><br />
<a href="http://documentation.apple.com/en/cinematools/usermanual/Cinema%20Tools%204%20User%20Manual%20(en).pdf">Cinema Tools 4.5 Manual</a><br /><br />
<a href="http://documentation.apple.com/en/soundtrackpro/usermanual/Soundtrack%20Pro%203%20User%20Manual%20(en).pdf">Soundtrack Pro 3 Manual</a><br />
</p>]]>
        
    </content>
</entry>

<entry>
    <title>Hitchcock Storyboarding</title>
    <link rel="alternate" type="text/html" href="http://www.tweakdigital.com/2009/08/hitchcock-storyboarding.html" />
    <id>tag:www.tweakdigital.com,2009://25.2682</id>

    <published>2009-08-25T14:51:23Z</published>
    <updated>2009-08-25T14:51:26Z</updated>

    <summary>Hitchcock - Mobile storyboarding for your iPhone - has been released on the App Store and it may well be the best $20 you&apos;ll spend for your next creative production!</summary>
    <author>
        <name>jeremy</name>
        <uri>http://www.moonpost.com/jeremy/</uri>
    </author>
    
        <category term="News" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.tweakdigital.com/">
        <![CDATA[<p><a href="http://www.cinemek.com/hitchcock/">Hitchcock - mobile storyboarding for your iPhone</a> has been released on the App Store and it may well be <strong>the best $20 you'll spend</strong> for your next creative production!

<p>Just imagine being able to take a snapshot of a character, location, scene, etc, and then being able to instantly add a dolly, pan or zoom to it. Need a stand-in for your talent? Pop in male or female figures and scale, rotate and position them. Want a sound recording or audio note? Add one! Set shot and scene numbers and duration. Reposition panels at your leisure. And then send out a PDF of the storyboards to your cast and crew! All from your pocket-sized workstation that was your iPhone. Hitchcock is a brilliant bit of creative software that is <em>highly</em> recommended.</p>]]>
        
    </content>
</entry>

<entry>
    <title>8 Day Location Shoot Workflow</title>
    <link rel="alternate" type="text/html" href="http://www.tweakdigital.com/2009/07/8-day-location-shoot-workflow.html" />
    <id>tag:www.tweakdigital.com,2009://25.2681</id>

    <published>2009-07-22T14:35:52Z</published>
    <updated>2009-07-22T14:36:44Z</updated>

    <summary>We just wrapped up an eight-day location shoot for an apparel company and when we were finished, the client took home all eight days worth of images about thirty minutes after we wrapped shooting. A real-world example of my digital tech location photography workflow and gear. </summary>
    <author>
        <name>jeremy</name>
        <uri>http://www.moonpost.com/jeremy/</uri>
    </author>
    
        <category term="News" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.tweakdigital.com/">
        <![CDATA[<p>We just wrapped up an eight-day location shoot for an apparel company and let me just say that it kicked our butts pretty hard with tons of sun and wind and a final day of record low high-temps for July in Minnesota! Almost felt like it might snow. Our models were troopers and took it all in stride even though they were freezing cold on more than one occasion. But this isn't about the weather, this is more about the workflow and process. <br />
I like to use a pimped out MacBook Pro 15" laptop inside a Pelican 1495 case mounted on top of a Gitzo tripod. This is heavy awkward beast to lug around when trying to nail down a specific location and angle, traipsing along after the photographer and art director, but the working convenience makes up for it. I also tend to use two A-clamps and a blackout cloth for isolating the screen when viewing images. Not pretty, but very functional. Plus, I feel like those old-time photographers with the old bellows camera on a tripod, the big cloth and the handheld smoking flash thingie. The best rule about location laptop use I can pass along is to put your screen brightness to off when copying cards or backing up files. Only turn it up when viewing critical information. This maximizes your battery life.<br />
We started off in the new CaptureOne Pro but ran into an issue on the first laptop we were using and a conflict (or something) with the screen calibration software producing really whacked out display glitches (hard breaks in smooth gradient areas). That took several hours of troubleshooting to isolate later that night and it was a good thing I had my fully loaded MacBook Pro ready to go into action. Always have two laptops ready to work when on location (and lots of batteries)!<br />
Being on location with a fast shooter always is an issue as the full memory cards have a tendency to stack up when offloading to the laptop. With the Canon 5d Mark II's larger megapixel images, it seemed like even more of an issue (cards fill up faster). Even with a Firewire 800 card reader, it was taking many multiple minutes to import images into C1Pro so we tried Lightroom, which was about the same. There had to be a better way to work faster, so at lunch break on the first day I did a quick test on importing shots directly into a "loading" folder on the hard drive through the Finder and then "importing" into Lightroom using the "move and add to catalog" function, which also allowed me to rename the shots and attach the desired metadata. What a revelation! It took 3-4 minutes to copy an entire card, RAW+JPEG, and about one more minute to get the images added to the library! Bingo. These minutes were invaluable in allowing the clients and art director to view images full-screen in about as real-time as was possible.<br />
I enjoyed working in Lightoom very much for location shooting, even with the move-then-add importing process. I usually am requested to use CaptureOne Pro in the studio but I'm fairly convinced to switch now whenever possible. Some data stats for you:  The Lightroom preview library was 20 gigs alone by the time we wrapped shooting. We shot over 168 gigs of images using the Canon 5d Mark II, an increase of 5 megapixels per shot over the 1ds Mark II. Good thing I recently upgraded my MacBook Pro internal hard drive with a 500-gig model (I highly recommend this - check out <a href="http://www.macsales.com/">OWC</a>. Get all your RAM there, too). <br />
Since the client wanted to leave with content, I did a little manual file management with the JPEG images once we were finished and the client took home all eight days worth of images about thirty minutes after we wrapped shooting -- they were still on their first round of drinks in the bar next to our last location so I didn't miss out on too much!<br />
Hope you found this useful, inspiring or at least interesting. If you need any location assistance, let me know!</p>]]>
        
    </content>
</entry>

<entry>
    <title>Turbo.264 HD</title>
    <link rel="alternate" type="text/html" href="http://www.tweakdigital.com/2009/05/turbo264-hd.html" />
    <id>tag:www.tweakdigital.com,2009://25.2677</id>

    <published>2009-05-30T14:22:43Z</published>
    <updated>2009-05-30T14:22:45Z</updated>

    <summary>A while back I had a spot of trouble with my Elgato EyeTV Hybrid (turns your Mac into a digital TV/TiVO) and after running around replacing everything BUT that device (including antenna, cabling, connectors, waiting for exceptionally cold winter weather...</summary>
    <author>
        <name>jeremy</name>
        <uri>http://www.moonpost.com/jeremy/</uri>
    </author>
    
        <category term="News" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.tweakdigital.com/">
        <![CDATA[<p>A while back I had a spot of trouble with my <a href="http://www.elgato.com/elgato/na/mainmenu/products/hybrid09/product1.en.html">Elgato EyeTV Hybrid</a> (turns your Mac into a digital TV/TiVO) and after running around replacing everything BUT that device (including antenna, cabling, connectors, waiting for exceptionally cold winter weather to break, etc, etc) I was informed that I couldn't get a replacement for it due to expiration of warranty (and this was all happening with continual conversations with tech support). You would guess right if you thought this really chapped my hide. </p>

<p>A few months later, and the purchase of a brand new EyeTV Hybrid (hey, it works!), somebody from Elgato shows up on twitter and makes contact. Interesting and nice. He hears some of the details of my story. He mentions he will send me something to help make up for it. I am intrigued, and hesitant. What could make up for the hassle and wasted time and money? </p>

<p>A couple weeks later a box shows up and inside is the brand new <a href="http://www.elgato.com/elgato/na/mainmenu/products/Turbo264HD/product1.en.html">Turbo.264 HD USB stick</a>! Sweet! I immediately installed it on my MacBook Pro (2007) and convert some full HD video to 720p for online viewing. The results are very good and quite speedy. I was almost convinced. So, to confirm the initial testing, I took it downstairs to my HD home theater (1.8 Ghz MacMini with EyeTV Hybrid) and a few test conversions later I am completely sold. <strong>The Turbo.264 HD really does work FAST and with good quality.</strong> I converted several episodes of LOST and America's Test Kitchen that I had saved and consistently got speeds of slightly<strong> better than real-time</strong> (about 30-36 frames per second) on full HD conversions down to 720p h.264 format for archiving. This type of process would have (and has) taken HOURS per show prior to the Turbo.264 HD, which means it didn't happen very much if at all. </p>

<p>The really great thing is that when I shoot video on HD, I can take the super large exported final file and pop it into Turbo.264 HD and make a Vimeo/YouTube 720p file in mere minutes. Which makes the Turbo.264 HD a VERY useful bit of kit.</p>]]>
        
    </content>
</entry>

<entry>
    <title>iPhone App from onOne</title>
    <link rel="alternate" type="text/html" href="http://www.tweakdigital.com/2009/05/iphone-app-from-onone.html" />
    <id>tag:www.tweakdigital.com,2009://25.2675</id>

    <published>2009-05-22T18:25:18Z</published>
    <updated>2009-05-30T14:25:54Z</updated>

    <summary>My pal Craig sent me a notice that there is soon to be a new iPhone App from onOne called the &quot;DSLR Remote&quot; and is a wireless cable release for your Canon camera. Here&apos;s hoping it works with all functions...</summary>
    <author>
        <name>jeremy</name>
        <uri>http://www.moonpost.com/jeremy/</uri>
    </author>
    
        <category term="News" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.tweakdigital.com/">
        <![CDATA[<p>My pal Craig sent me a notice that there is soon to be a new <a href="http://www.ononesoftware.com/blog/2009/05/15/iphone-app-from-onone/">iPhone App from onOne</a> called the "DSLR Remote" and is a wireless cable release for your Canon camera. Here's hoping it works with all functions and is portable from camera to camera without difficulty (since as a digitech I'm working with different gear on a regular basis).</p>
<p>UPDATE: I shot in the studio yesterday with the Canon 5d Mark II tethered to a Mac and used the DSLR Remote iPhone app to shoot -- it worked great! The controls are simply and logical and changes are near instantaneous and the previews show up on the iPhone quite quickly. You can even zoom in by double-clicking on the area you wish to examine. You can imagine the dropped jaws when the other photographers saw it in action! I'll be keeping this app installed and ready to use.</p>]]>
        
    </content>
</entry>

<entry>
    <title>My IgniteMpls Presentation</title>
    <link rel="alternate" type="text/html" href="http://www.tweakdigital.com/2009/05/my-ignitempls-p.html" />
    <id>tag:www.tweakdigital.com,2009://25.2674</id>

    <published>2009-05-07T03:29:02Z</published>
    <updated>2009-05-07T03:29:05Z</updated>

    <summary>My wife told me about the first #IgniteMPLS &quot;extreme presentations&quot; event that was coming to Minneapolis last month (April 22, 2009) and before I really realized it, I had signed up to do a presentation on &quot;HD Home Theater on...</summary>
    <author>
        <name>jeremy</name>
        <uri>http://www.moonpost.com/jeremy/</uri>
    </author>
    
        <category term="News" scheme="http://www.sixapart.com/ns/types#category" />
    
    
    <content type="html" xml:lang="en" xml:base="http://www.tweakdigital.com/">
        <![CDATA[My wife told me about the first <a href="http://www.ignitempls.org/">#IgniteMPLS</a> "extreme presentations" event that was coming to Minneapolis last month (April 22, 2009) and before I really realized it, I had signed up to do a presentation on "<a href="http://www.youtube.com/watch?v=B6H4r7gAAZs">HD Home Theater on the Cheap.</a>" It went well. The event was a huge success -- a rowdy free-beer-drinking, ADD-twittering, iPhone-checking, exited-gabbing, madhouse of an oversold success -- and I'd do it again and would encourage anyone else to give it a shot as well. The videos don't really do the live event justice, but <em>are</em> a much more useful experience for viewing the actual content, so take a peek at the various videos online and check out the crazy twitter stream if you want to see the running commentary. Oh, and I was tweeted as "the Micro Machines guy" and an "AV auctioneer." I think those are good?]]>
        
    </content>
</entry>

</feed>
